All Things Rekx

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Honey You Don’t Know My Mind

Honey you don’t know my mind I’m lonesome all the time
Born to lose a drifter that’s me
You can travel for so long then a rambler’s heart goes wrong
Baby you don’t know my mind today

Heard the music of a rail slept in every old dirty jail
And life’s too short for you to worry me
When I find I can’t win I’ll be checking out again
Baby you don’t know my mind today

I’ve been a hobo and a tramp my soul has done been stamped
Lord things I know I learned the hard hard way
I ain’t here to judge or plea but to give my poor heart ease
Baby you don’t know my mind today

Honey you don’t know my mind I’m lonesome all the time
Born to lose a drifter that’s me
You say I’m sweet and kind I can love you a thousand times
Baby you don’t know my mind today

Filed under: Honey You Don't Know My Mind, Show Notes & Song References

01/18/07 – Jam Session with Larry

I was able to have a nice jam session with Larry last night. Here is a clip…

Please Release Me

Filed under: My Journal

1/17/08 – Last Nights Practice

I am getting back in the saddle this new year.  Things are settling down and I am getting back onto a good schedule.  Last night I got a good hour and a half of practice in.

I started out with the intention of running through Jim Ritcher’s arpeggio exercise.  BTW, I highly recommend checking out Jim’s youtube page….he is a very versitile player.

The thing is, all of these great players say that they love running through arpeggio’s.  Personally I have not found much use for them.  From my point of view, arpeggio’s are just shortened scales.

But I know my problem.  I have been simply reading the notes and playing them.  Especially when you read tab, you only think about where to place your finger.  You are not thinking about what note you are playing and it’s relation to the previous and next note.

So, last night I tried to resolve this.  I started out playing Jim’s arpeggio pattern, thinking about the notes, but I quickly found myself straying from the pattern.  I allowed myself to explore the fretboard.  I looked at the arpeggio pattern it’s 3 notes from all perspectives on the neck.

It was fun.  I found new voicing in G way up the neck by the 12th fret, and lower on the D string.

Next time I want to do the same thing but in A.

I have to say that I am enjoying the D’Addario J75’s I put on recently.  They are chunky and they really require some strength in the fingers.  But, the richness and complexity of the tone is just awesome.  And the chop….wow.  They just dig down into the depths of my Weber, and my mando just pops the chop right back out.  Playing chops with these strings is really fun.

I also played along with some jam recordings.  I tried to focus playing the melody, staying loose, and experimenting with new voicings.  I also spent some time playing only arpeggio notes.

I finished up with some country blues fingerstyle exercises on guitar. It was a fun night.

Filed under: My Journal, Practice Session Notes

While My Guitar Gently Weeps

I got to jam a little with Larry last week and I recorded part of it. We jammed bit to While My Guitar Gently Weeps and I think that parts of it turned out real nice. Here is a clip:

While My Guitar Gently Weeps

Filed under: Jam Reflections, My Journal

Out of Town

I am going out of town this week on business and will not be able to take my mandolin along.

Next Monday is the Slow Jam at Charley’s!

Filed under: My Journal

In The Pines

IN THE PINES
Recorded by Bill Monroe
Words and music by Jimmie Davis and Clayton McMichen

Intro: [D] Whooee-whoo-[A7] whoo-hoo-[D] hoo!

[1] The longest [1_7] train I [4] ever [1] saw
Went down that [5_7] Georgia [1] line
The engine [1_7] passed at [4] six o'[1] clock
And the cab passed [5_7] by at [D] nine.

Refrain:
[D] In the pines, in the [D7] pines
Where the [G] sun never [D] shines
And we shiver when the [A7] cold wind [D] blows;
[D] Whooee-whoo-[D7] hoo; [G] whoo-hoo-[D] hoo
Whoee-whoo-[A7] whoo hoo-[D] hoo!

I asked my captain for the time of day
He said he throwed his watch away
A long steel rail and a short cross tie
I'm on my way back home.

Refrain:

Little girl, little girl, what have I done
That makes you treat me so?
You caused me to weep, you caused me to mourn
You caused me to leave my home.

Filed under: In The Pines, Show Notes & Song References

The Bark Is Back

The holiday season is finally over. I spent most of it being sick with this cold that just will not go away. The other part of it I spent with family. I did not get to spend a lot of time with my mandolin.

But that’s O.K. – frankly, I wasn’t to motivated to play mandolin. I have found that if I am not excited about playing, then I shouldn’t force the issue.  I did play some guitar and worked on my fingerstyle country blues skills.

I did get to change my strings – I put on D’Addario J75’s.

Monday night I did sit down and transcribe a Monroe solo of In the Pines – I will post that soon.

Going forward I need to meditate on what goals I would like to accomplish for the year.

In the meantime I am really looking forward to the Charley’s jam next Monday, and the Bluegrass Club meeting after that.

Now it is time to get back into a work groove. Working on a building!

Filed under: Music & Mandolin Meditations, My Journal

What’s Going On (via twitter)

  • This Dylan tweets are frequently in tune with my life....it's almost eerie... RT @BobDylanSays: Please don't dismiss my case. 1 day ago
  • RT @BobDylanSays They look me squarely in the eye and they say, "All is well." 2 days ago
  • I gotta get the hell out of Dallas - quarter sizes snow flakes at Love Field and flights delays immenent... 3 days ago
  • The floor of the Garden is suspended by cables, and J Garcia said that on some nights the groove of the crowd would literraly move the floor 3 days ago
  • In the airport headed to NYC to see Phish tonight in the Garden...can't believe it!! 3 days ago
  • POW! the fabulous @theGreencards show is now up on the archive...stream it, listen to it, LOVE it! http://trunc.it/3kurr 4 days ago

 

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